Senior music student's thesis provides entertaining tunes
Rachel Lehmann '08 spent months working on 'Guilty' after being inspired by composer Andrew Lloyd Webber and Tim Rice's 'Joseph.'
by Kate Roller
Staff Writer
Arts | 3/11/08
Posted online at 1:39 AM EST on 3/11/08
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For Lehmann, the performance was the culmination of a lifelong dream. "This is something I always wanted to do, ever since I knew what a musical was," she said in an interview before the show. After learning that Andrew Lloyd Webber and Tim Rice collaborated on Joseph and the Amazing Technicolor Dreamcoat as a one-act musical in college, Lehmann wanted to follow in their footsteps.
When Lehmann arrived at Brandeis, she wasted no time in pursuing her dream. She asked renowned composition professor David Rakowski (MUS) to be her advisor and spent a summer laying down the framework for her new musical, with "lifelong friend" Leah Edelman '08 helping with the book and lyrics.
Inspired by Chicago and the movie Clue, Lehmann chose a whodunit plot involving a billionaire's murder: "A billionaire is poisoned, and four suspects are brought into the police station," his neglected wife, his impoverished brother, his sexy maid and his egotistical business partner. "At the beginning, they all look guilty, but the real murderer is revealed at the last second!" said Lehmann.
For almost two years, Lehmann worked with Rakowski exhaustively, composing at an impressive pace. "I was writing around one song every two weeks, then four songs over the summer," ending up with 14 songs total.
While Rakowski offered a guiding hand with the musical composition, Lehmann turned to another Brandeis professor, Pamela Wolfe (MUS), to bring a dramatic edge to the staging and performance. "She's giving me a more professional eye and helping the singers really bring the music to life," Lehmann said.
All of these aspects came together at the preformance, when an enthusiastic audience had the opportunity to see Lehmann's work speak for itself. Guilty! is charming, sweet and funny, but could have benefited from an editor's hand-nearly all of the songs are at least one verse too long, and the lyrics often venture into triteness. Do we really need yet another ballad that includes the line "I looked inside myself to find the courage?" Or a cascade of clichés like "Illusions died!/ He lied! Pushed me aside! I cried?"
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