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Röyksopp grows up on 'Junior'

by Brad Stern
Staff Writer

Arts | 4/7/09
Posted online at 11:28 PM EST on 4/6/09 / Last updated at 5:48 AM EST on 4/6/09

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Brad Stern

POP MUSE

If I had my way, this review would be simple. In one word: perfection. Sadly, I'm sure the editors would have something snippy to say about that (fascists), so allow me to flesh this one out.

The boys of Röyksopp have been hard at work over the past three years conjuring up their third major album, Junior. Like a Nordic creation of Frankenstein proportions (I'll allow time to envision the monster as a blonde), the album operates as a complex series of mixed bits and pieces and pastes together the moody beats of Melody AM with the tenderest bits of pop-mindedness from The Understanding.

To do so, the duo has enlisted a superstar cast of Swedish chanteuses, including Lykke Li, Robyn, Anneli Drecker and Karin Dreijer-a line-up indie-licious enough to make the pants of the Pitchfork crew grow even tighter at the waist.

With a burst of giggles, Röyksopp bounces into Junior with the mindless gleefest that is its first single, "Happy Up Here." Ironically, it's also the album's weakest moment-not quite an instrumental, not yet a full-fledged song. Sure, it's got all the makings of a Röyksopp track (looped beats and breathy lyrics), but it's mainly a teaser for things to come.

That's probably why "The Girl And The Robot" follows shortly thereafter. Undoubtedly one of the coolest songs Robyn has recorded in recent time-though let's face it, she hasn't truly recorded anything new in the past five years-the track is a stomping, stuttering 21st-century upgrade of a classic torch song: "Fell asleep again in front of MTV / God, I'm down at the bottom / No one's singing songs for me / I'm in love with a robot." Then again, has there ever been a song involving robot love that hasn't proven itself entirely amazing? Doubt it.

After that comes "Vision One," a song I'm still holding responsible for no fewer than three slipped discs in my neck. Why? "Vision One" happens to be a cover of a track originally sung by a ridiculously underappreciated J-Pop artist named Eri Nobuchika that the group first remixed in 2005. Hearing those opening notes reimagined through bright piano melody and some lo-fi electronica for the very time, my head whipped forward faster than I could shriek "Oh my God, it's 'SING A SONG.'" As a result, I'm still healing.
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